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The Pretty Things Are Going to Hell

Meet the artist Maskull Lasserre, Arsenal Contemporary, 13 May 2026

A person wearing a gray sweater and dark pants is seen from behind, standing in an art gallery with modern artwork displayed on the walls.
Gallery view of the artist Maskull Lasserre at Arsenal Contemporary, Montreal, 13 May 2026. Photographed for NicheMTL.

“The forest reveals its truth for those who are travelling through it on foot.”
—Werner Herzog, “I Rant Against the Jungle”

Trees comprise forests. Though seldom do we see both at once.

Our human perception is such that it focusses upon orders of magnitude, from minute detail to grand scale. Take a walk through a forest and observe this spectrum of awareness in action. Thus, knowing God is impossible because we either apprehend His individual works or an abstract accumulation thereof.

A forest is comprised of trees just as the Kingdom of Heaven is made up of minor miracles.

Andy Stott with Corporation and William Hayes-Dulude, Espace SAT, 9 May 2026

A crowd of people in a dimly lit venue surrounded by purple haze, with soft light beams coming from above.
Andy Stott performs at Espace SAT. Photographed for NicheMTL.

“Those who remain at the surface do so at their own peril
Those who dive beneath the surface glorify the grotesque.”
—Genesis P-Orridge & cEvin Key, “Beauty Is the Enemy

American Transcendentalists considered truth, righness, and beauty to be self-evident. The philosopher Charles Saunders Peirce in the early 20th century conceived of these virtues as the “Ends” of phenomena, under the purview of normative science, the laws of which to Peirce were both universal and necessary.

The universality of truth, rightness, and beauty is indicative of Peirce’s pragmatic understanding of nature and the specificity of the American interpretation of Idealism. But the notion of their necessity addresses something more profound.

Logically speaking, order could not emerge from chaos without truth, rightness, or beauty. Nor could nature function in absence of these three Ends in divine equilibrium, a sort of contemporary, new-world holy trinity.

“I am going to make a series of assertions which will sound wild,” Peirce proclaimed in his fifth lecture on the subject at Harvard University in 1903, “although I cannot omit them if I am to set the supports of pragmatism in their true light.” For Peirce, truth, rightness, and beauty transcended human taste and were philosophically unquestionable. This left no room for argument from his audience, whom he proceeded to call “undeveloped” nominalists, a bold and patent dig at New England’s intellectual elite.

“Reality consists in regularity,” Peirce proclaimed. “Real regularity is active law.”

Céline in Dior: A Dazzling Moment, Musée McCord Stewart, Until 13 September 2026

Gallery view of Céline Dion’s Dior dress exhibited at Musée McCord Stewart. Photographed for NicheMTL.

“Your beauty won’t be anything
When I take off my glasses.”
Leonard Cohen, Death of a Lady’s Man

Beauty activates action. It is impossible to remain passive in the presence of prettiness. And given that beauty is universal and necessary, it is one of the most important motivating forces of nature.

However, aesthetic beauty is not synonymous with truth — often, quite the opposite. We attain beauty through augmentation and perversion and concealment and outright denial of our true nature, polishing, as it were, the brass on the Titanic.

Therefore, deception pragmatically galvanizes nature just as effectively as veracity.

Turandot, Orchestre Philharmonique et Chœur des Mélomanes, Maison Symphonique, 10 May 2026

A dramatic scene featuring a man assisting a woman in a black gown who is holding a sword, conveying intense emotion during a performance on stage.
Andrew Haji (left) and Sydney Baedke perform Turandot at Maison Symphonique. Tam Lan Truong for the Orchestre Philharmonique et Chœur des Mélomanes.

“Beauty, women’s business in this society, is the theatre of their enslavement.”
Susan Sontag, On Women

More than in any other social station, American First Ladies may be the world’s most heavily objectified and endlessly scrutinized women.

Women’s Wear Daily, the tabloid journal that chronicled “microtrends” before they were called microtrends, obsessed over Jacqueline Kennedy’s every purchase: suede skirts, knee socks, Gucci shoes. John Fairchild, WWD’s publisher in the 1960s, called Kennedy “Her Elegance.” In contrast, he dubbed Kennedy’s successor, Mrs. Lyndon B. Johnson, “Her Efficiency.”

Women’s Wear Daily treads much more carefully today when writing about Mrs. Trump, restricting its coverage to strict facts without editorializing or judgement. Among the harshest criticism it has published since Trump’s first presidency is of Melania “not being ultrathin,” as well as revealing that Wildes & Weinberg, the immigration firm that represented John Lennon during his deportation hearings, helped secure her citizenship, which she received in 2006.

Eventually, WWD turned on the Kennedy clan, too, writing of the late President’s daughter in their signature all-caps headlines (a style that a certain similarly snarky head of state has adopted), “THERE IS NO QUESTION THAT CAROLINE DRESSES MUCH YOUNGER THAN HER AGE.”

Défilé 2026 de l’École supérieure de mode, Centre de design de l’UQAM, 12 May 2026

A model wearing a unique dress featuring a mix of black, white, and patterned fabrics, designed with a strapless bodice and a voluminous skirt. The model is seated on a stool, showcasing the intricate layers and details of the garment.
Lace of a Jester, Claire Miranda-Goldstein. Photographed for NicheMTL (with thanks to Rory Creelman.)

“The pretty things are going to hell
They wore it out, but they wore it well.”
—David Bowie, “The Pretty Things Are Going to Hell

If beauty is equivalent with rightness and truth, then there is no cause to damn the righteous and truly beautiful. Deceitful beauty, however, is narcissism — “vexation of spirit,” as it is written in Ecclesiastes 2.

The question of what to do with one’s days is at the root of the Western conception of damnation and salvation. Labour in wisdom, and not for pleasure, is considered goodness before God. Labour in sin condemns the sinner to gather up all she labours for and give it to her that is good.

Labour for true beauty, however, must be righteous. Beauty gladdens the heart and unencumbers the spirit. Labour for true beauty also obscures the nature of God and makes Him unknowable. To conceal God’s work is God’s work.

Ecclesiastes 3 is among the Bible’s most well-known chapters, made famous by Pete Seeger in his song, “Turn! Turn! Turn!” which The Byrds in 1965 turned into an international hit. Fashion is instructive here as it is literally seasonal. There is a time proper to scarves and boots, and another time for shirtsleeves and sandals. To make peace in a time of war, or to acquire in a time of loss, is to disobey the Ecclesiastical calendar, like wearing white after labour day.

“He hath made every thing beautiful in his time,” it is written in verse 11, and so ugliness is also a form of seasonal beauty. There is nothing which does not eventually have its moment and purpose. This philosophy is fundamentally pragmatic because it positions the use value of beauty above its aesthetic appeal.

Beautiful utility is good work. Alternately, futility is vanity.◼︎

Thank you for inviting NicheMTL to your thing. Please get in touch at the about page.

NicheMTL is Montreal’s independent not-for-profit source for this city’s most niche arts and culture. If you love what you’re reading, please consider buying a yearbook and subscribing.

Cover image: Suffering Machines, Aude B. Verville. Photographed for NicheMTL (with thanks to Rory Creelman.)

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Dead Cities

Poolgirl with Shunk, G String, and Niivi, Bâtiment 7, 1 November 2025

Poolgirl performs at Bâtiment 7, 1 November 2025. Photographed for NicheMTL.

In December 2006, Ben’s De Luxe Delicatessen, a landmark restaurant serving Smoked Meat sandwiches and French Fries in an historic Art Deco building at the corner of Metcalfe and de Maisonneuve, permanently closed its doors.

Ben’s had been a Montreal staple for 98 years. Scenes from the classic 1965 National Film Board documentary Ladies Gentlemen…Mr. Leonard Cohen were filmed there. Celebrities like Liberace and Bette Midler had been welcomed as guests. Pierre Trudeau was a regular, as was Jacques Parizeau. It was a place where federalism and separatism fell away, where the two solitudes could put aside their differences and come together over a Cherry Coke.

The staff at Ben’s, many of whom had worked at the deli for over 50 years, joined the CSN union federation in 1995, and went on strike for what would be the last time in the summer of 2006, demanding higher wages and better working conditions. The strike drew on through autumn, and as winter fell, the restaurant’s owner and manager, Jean Kravitz, took the decision to sell the building to SIDEV Realty Corporation.

Following a number of efforts to declare it an historic edifice, Ben’s was demolished in November 2008, and the developer constructed a 16-storey hotel on the site. The restaurant in Le St-Martin Hotel Particulier has been closed for more than a decade.

A Musical Journey with Tawadros and Beethoven, Orchestre Symphonique de Montréal, Maison Symphonique, 5 November 2025

Joseph Tawadros performs with the OSM, 5 November 2025. Gabriel Fournier for the Orchestre Symphonique de Montréal.

Strikes are effective only when they affect everyone equally. If nurses strike, access to healthcare is restricted for all. If teachers strike, education across the board is denied.

When public transportation employees strike, however, it is only those reliant upon public transportation who suffer. Moreover, those who take public transportation are not in any position to deliver on striking workers’ demands. Rather, through direct and indirect means, Opus cards and taxes, we are the ones who pay the costs for public transportation — costs that have been steadily increasing for services that are in rapid decline.

Metros are constantly delayed or go out of service altogether. Refuse and graffiti litter stations. And at most of them, security seems nonexistent. Violent crime in the Montreal metro system increased 80 per cent between 2022 and 2023. Three men this week were charged in the stabbing death of a 42-year-old victim at Place St. Henri. And a woman was allegedly assaulted inside a metro car in October.

STM Board Chairman Éric Alan Caldwell earlier this year lamented the lack of provincial funding for Montreal’s public transit authority, sentiments echoed by then-mayor Valérie Plante. The STM received $258 million less than expected in the CAQ’s most recent budget.

However, Quebec Transport Minister, Geneviève Guilbault, doesn’t rely upon — and consequently isn’t required to care about — Montreal’s public transportation system. If anything, Quebec City politicians privately rejoice when Montreal’s bus and metro-riding population is distressed.

Quebec conceives of Montreal as its economic engine. Perhaps that’s why the province is more intent upon building highways out of it than maintaining trains within it.

If the unions representing bus drivers and maintenance workers want their job actions to be effective, they should interfere with policymakers’ ability to do theirs.

Quatuor Molinari, Musique à voir, Fondation Guido Molinari, 2 November 2025

Quatuor Molinari performs at Fondation Guido Molinari, 2 November 2025. Photographed for NicheMTL.

If there is one silver lining to the transit strike — or of an event like the wave of flight reductions at U.S. airports — it is that it necessarily enforces a slower pace upon modern life.

Traffic is the impeding power to the futurist ideal of speed, the unrestrained id. Cities are regulated by a circulatory rhythm that accelerates, slows down, and fluctuates at various intervals, depending upon the flows of traffic — on foot, in cars, in transit, in flight.

The transfer of one form of traffic into another upsets the metropolitan temporal equilibrium and imposes a different timetable upon urban space. Time thickens when we are forced to throttle our maximum velocity.

Angela Grauerholz, La femme 100 têtes, Blouin|Division, 8 November 2025

Patrons gather for the launch of La Femme 100 têtes by Angela Grauerholz, 8 November 2025. Photographed for NicheMTL.

Labour unions so far have failed to anticipate or reorient themselves towards the real threat to workers: automation. It cannot be long before city bus and metro drivers will become entirely unnecessary, as driverless alternatives exceed human beings in efficiency and reliability.

Waymo, the autonomous driving technology company that Google developed, has doubled in size in the past year, and delivered more than 200,000 paid rides per week in 2025 in Phoenix, San Francisco, Los Angeles, and Austin, according to Alphabet CEO Sundar Pichai.

Autonomous taxis have other advantages. You don’t have to tip or make small talk with the driver. They are not prone to road rage and will never harass a passenger. And robots don’t go on strike. The degeneration of human behaviour is the biggest argument for the embrace of artificial intelligence.

David Altmejd, Agora, Galerie de l’UQAM, 6 November 2025 – 17 January 2026

Gallery view of David Altmejd, Agora, Galerie de l’UQAM. Photographed for NicheMTL.

It is possible that human beings, in our arrogance, will drastically reduce our own usefulness, if not strike ourselves out of existence. We have operated, for the past century at least, under the assumption that the future, benefited by the acceleration of technological advancement, would be indisputably better, and have been disappointed and despondent when it hasn’t. The question, however, is, for whom should the future improve?

If it is for human beings, then me might do well to recalibrate our expectations and ameliorate some of our manners, towards ourselves and one another. This could mean resisting the capitalist impulse to maximize exploitation; to accept less-than-peak profit and speed; to reallocate and share rather than colonize and contest our limited spaces.

The seemingly likelier and more deserving beneficiary of a better future, though, is non-human. Flora and fauna warrant superior living conditions far more than unionized workers of any occupation. Organic matter merits the right to prosperity in excess of the new class of corporate tech bros.

We will be judged by our treatment of wilder things.◼︎

Thank you for inviting NicheMTL to your thing. Please get in touch at the about page.

NicheMTL is Montreal’s independent not-for-profit source for this city’s most niche arts and culture. If you love what you’re reading, please consider buying a yearbook and subscribing.

Cover image: Joseph Tawadros photographed by Gabriel Fournier for the Orchestre Symphonique de Montréal.

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