Mysterious Skin: in conversation with Genève-Florence
“What I’m doing is less about fashion and more about craftsmanship,” says the fashion designer Genève-Florence. “I like to do everything. But I’m trying not to exhaust myself.”
The Audience is Listening
“Preaching to the choir” means to convince a group of people who already agree with you. But beginning from a place of agreement is where significant changes can occur, even to the most recalcitrant of beliefs.
Elegantly Wasted: in conversation with Dexter Barker-Glenn
“Something is art when it’s not functional anymore,” says the multidisciplinary artist Dexter Barker-Glenn. “It’s like a tumor of wealth or something.”
About Face
We are usually attracted first and foremost to a face. But the face is the interface beneath which the operating system functions, so to speak, giving an indication to its innerworkings and alternately concealing and revealing our true character.
Wild at Heart: in conversation with the WinterWorks festival’s Rebecca Gibian
The WinterWorks Festival puts Montreal’s experimental theatre scene on the front burner, our critic writes.
Crazy Clown Time: notes on the weird visions of Beth Frey and Ana Sokolović
The possibility of leaning into instability politically may be manifesting in our works of art first as a form of dress rehearsal for real revolution.
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