About Face
We are usually attracted first and foremost to a face. But the face is the interface beneath which the operating system functions, so to speak, giving an indication to its innerworkings and alternately concealing and revealing our true character.
Wild at Heart: in conversation with the WinterWorks festival’s Rebecca Gibian
The WinterWorks Festival puts Montreal’s experimental theatre scene on the front burner, our critic writes.
Crazy Clown Time: notes on the weird visions of Beth Frey and Ana Sokolović
The possibility of leaning into instability politically may be manifesting in our works of art first as a form of dress rehearsal for real revolution.
Trick Rider
Ghosts are merely traces, either material or immaterial, that evoke some living presence. Any persevering impression can be ghostly. A hair in the sink. The smell lingering on a pillowcase. A shadow. An echo. A tendril of smoke hovering in thin air.
Infinity of Primes: in conversation with Andrea Szilasi
“When I’m actually making art, nothing is conscious at all,” says the artist Andrea Szilasi, whose latest exhibition, Réfléchir, is on view through 21 February at McBride Contemporain.
King of the ‘Z’s
It matters less to powerful actors who is really in charge than to be reassured that power always is. Political leaders are like gun parts — interchangeable and infinitely replicable and deadly when assembled.
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