Orchestre classique de Montréal, Illuminations, Magali Simard-Galdès, soprano, Pierre-Mercure Hall, 5 March 2023
In a recent interview with The New York Times, Mel Brooks, the 96-year-old comedian, revealed that even at his age, he doesn’t shy away from controversy. Still, in 2023, Brooks isn’t afraid to tell a good Hitler joke.
Laughter can be the best medicine in even the sickest of times. But Brooks prefers to wield humour as a weapon. Being Jewish helps. It gives Brooks, and all Jewish comedians, a pass. Seinfeld did Nazi jokes, and in an episode of The Larry Sanders Show, opposite a young Jon Stewart, Jeffrey Tambor played a satirical game show host, in head-to-toe Hitler regalia, named ‘Adolph Hankler.’ But that was back in the 90’s, and a full fifty years after World War II.
Is it too soon to start making Putin jokes?
In the future, will it be considered politically incorrect to dress up as Putin, to get all oily and shirtless and ride a white horse, to wear Russian army surplus, to crack wise about the invasion of Ukraine? If so, I am glad that I’m Ukrainian. That means I’m covered for the foreseeable future from censure for mounting my long-planned musical, Springtime in Bakhmut.
Jerry Seinfeld believes that comedy is the closest we can come to justice. It’s impossible to fake a laugh. A joke is either funny or it’s not. Comedy is the real battlefield, and the funniest jokes always settle the fight.
The OCM’s 83rd season continues through 20 June 2023.
White Boy Scream + Wapiti/Pauly, La Salla Rossa, 13 March 2023
After the L.A.-based experimental opera singer Micaela Tobin’s outstanding performance as White Boy Scream on Monday night at Sala Rossa, conversation turned to the term “diaspora.” Somebody wondered aloud where the word comes from. I submitted that it refers to the Jewish dispersion across the globe: it stems from the Greek, diasperiō — to scatter, to spread out. And it has come today to refer to any dispersion of a people around the world: there is an Irish diaspora, a Filipino diaspora, a Ukrainian diaspora, even a French diaspora. Though colonization doesn’t technically count.
The way that cultures flow through the world and end up where they do is as fascinating a study as any natural phenomenon. It’s like watching a cloud of milk dissolve into a cup of coffee, tendrils wisping and disappearing and, in doing so, altering its entire texture and flavour. The reasons behind diasporic impulses are just as interesting to consider: war, oppression, and tyranny often drive people away; but hope, opportunity, and freedom are beacons that everyone can recognize, and that everyone seems to understand, even if we can seldom define and communicate these abstract notions adequately.
What diaspora really means is being an outcast. Displacement. Exile. Still, everyone agreed that it is a beautiful and lyrical word. Someone else suggested it sounded like a kind of elaborate garment. A cape of some sort, perhaps. On next year’s red carpet, will every Oscar nominee be draped in a Dior diaspora?
Bakunawa is released via Deathbomb Arc.
Mark Takeshi McGregor, Hōrai (Keiko Devaux), Starts and Stops (Redshift Music)
Following a triumphant foray into the experimental opera world — because classical and experimental music can only benefit from this overdue alliance — the Montreal composer Keiko Devaux goes from strength to strength with this contribution to a stellar compilation album by the flautist Mark Takeshi McGregor. These works combine the flute, one of the oldest-known instruments, with some of humankind’s most advanced modes of music-making. The results are profoundly moving and underscore the idea that history is not linear, that technology is not synonymous with progress, and that we can find harmonies in unexpected sonic configurations.
Starts and Stops is released via Redshift Music.
ALL HANDS_MAKE LIGHT, We Live On A Fucking Planet And Baby That’s The Sun, Darling The Dawn (Constellation Records)
The other day, a guy got on the metro, sat down right next to me, and lit a stick of incense. I was incensed. I said to the guy, have some sense and put out that incense, you insensitive bastard!
Darling The Dawn is released 21 April 2023 via Constellation Records.
Godspeed You! Black Emperor, with Moor Mother, MTelus, 9 March 2021
When Montreal’s unofficial house band announced their return in 2010, I vaguely remember that they did so with an apologetic metaphor hand-written on a yellow page torn from a notepad. Something about having left the bicycle outdoors all winter. The bike was meant to stand in for the band getting tuned up after a long, inactive period — locked to a stop sign, gears tarnished, rusty chain hanging loose from a weathered old frame. Or words to that effect.
Montreal’s indie rock scene possesses a characteristically rough, unpolished aesthetic, which Godspeed helped to define — a jangled and raw approach to playing live, to making recordings, and in general to assembling sound. The Emperisti — bands like Arcade Fire and Wolf Parade, as well as electronic acts that Godspeed’s artistic ethos influenced, like Tim Hecker and Marie Davidson — at once reflect and benefit from this image, this archetype of corroded Montreal culture.
If Godspeed was a rusty bike in 2010, they are verily a finely tuned machine in 2023. It sounds as if they might even intentionally fuck up, inserting wrong notes to undermine our expectations, to ruin the audience’s anticipatory gratification. But just when you think that they might have forgotten the song, the band thunder back, composed, in unison, and produce that serrated edge sound for which they are known the globe over, and than which there is nothing heavier.
Late capitalism might have produced Godspeed, but hyper-capitalism refined them. Their anthemic post-rock, tuned, tightened, and road-ready, never fails to lift our skinny fists, and spirits.◼︎
Godspeed You! Black Emperor is on tour through 29 April 2023.